Three Reds. Shearsman 2011.
Broder. Traffic Street Press (artist's book), 2000.
Pamphlets and broadsides
Small mountain lyric (Asterisk 16). Fewer and Further Press, 2013.
Spill. Chibcha Press, 2004.
Archive of the Now
Two poems in Datableed
Three poems in Molly Bloom
Sample from Infinite Difference
Four poems in Stride
Trainscapes in ink sweat and tears
Poems in anthologies
Carrie Etter (ed.) Infinite Difference: Other Poetries by UK Women Poets. Shearsman 2010.
Essays and reviews
'Existence plus Alphabets', review of Linda Russo, Meaning to Go to the Origin in Some Way and Participant, Jacket2 (2016)
'Milk and Thistles' in Helen Ivory and George Szirtes (eds.) In Their Own Words: Contemporary Poets on Their Poetry. Salt, 2012
'Pattern Needs Another Stone', review of Frances Presley, Lines of Sight. Jacket 40 (2010).
'Returning to the Meadow' How2 2(3), 2008.
Also reviews of:
Yang Lian, Concentric Circles. Modern Poetry in Translation Series 3, No 6 (2006).
Cecilia Vicuña, Cloud Net. How2 1(5) (March 2001).
Lighthouse magazine, issue 11 (Winter 2016): ecopoetics feature, edited with Angus Sinclair
‘”Relaxed into Intricate Thicket”: Ronald Johnson’s Green Poetics’ in Glennis Byron and Andrew Sneddon (eds.) The Body and the Book: Writings on Poetry and Sexuality. Amsterdam: Rodopi, 2008
'Tidalectic Lectures: Kamau Brathwaite's Prose/Poetry as Sound-Space', Anthurium 2003
Links to work discussed
Discussion of 'Unravel'
On 2010 residency in Monsanto (in Portuguese)
My second poetry collection, Line to Curve, was completed in November 2015 (awaiting publisher's decision). On-going projects include a book-length sequence of poems on Chinese jades, and Obverse, a collaboration with the artist Robert Filby (developed out of a Wysing Escalator Residency).
Photograph: pear espalier (Edith Summerhayes 2012)